|
André Cayatte (3 February 1909, Carcassonne – 6 February 1989, Paris) was a French New Wave filmmaker and lawyer, who became known for his films centering on themes of crime, justice, and moral responsibility. Cayatte began his directoral career at the German-controlled Continental Films during the French occupation. Some of Cayatte's earlier films that addressed his characteristic themes include ''Justice est faite'' (''Justice is Done''; 1950), ''Nous sommes tous des assassins'' (''We Are All Murderers''; 1952), and ''Le passage du Rhin'' (''Tomorrow Is My Turn''; 1960). In 1963, he undertook a bold experiment in film narrative with a set of two films: ''Jean-Marc ou La vie conjugale'' (''Anatomy of a Marriage: My Days with Jean-Marc'') and ''Françoise ou La vie conjugale'' (''Anatomy of a Marriage: My Days with Françoise''). These two films tell the same story from two different points of view. His 1973 film, ''Il n'y a pas de fumée sans feu'', won the Silver Bear Special Jury Prize at the 23rd Berlin International Film Festival.〔(【引用サイトリンク】title=Berlinale 1973: Prize Winners )〕 ==Selected filmography== * ''La fausse maîtresse'' (1942) * ''Shop Girls of Paris'' (1943) * ''Roger la Honte'' (1946) * ''The Revenge of Roger'' (1946) * ''The Ideal Couple'' (1946) * ''The Last Penny'' (1946) * ''We Are All Murderers'' (1951) * ''Before the Deluge'' (1954) * (1957) * ''Le glaive et la balance'' (1963) * ''The Pleasure Pit'' (1969) * ' (1971) * ''Il n'y a pas de fumée sans feu'' (1973) * ''Verdict'' (1974) * ''State Reasons'' (1978) 抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「André Cayatte」の詳細全文を読む スポンサード リンク
|